วันศุกร์ที่ 29 มิถุนายน พ.ศ. 2555

The Best Loved Poems of The American People - By Hazel Felleman

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AppId is over the quota

This Book of Poetry was printed in 1936. Bear with me as I describe what our country was like at that time. It was in the middle of the last great depression, and so a very bad economic time. However it was purchased and read by many folks for the same reasons that I have read it many times. Tom Brokaw called it "The Greatest Generation".

The book was dedicated to Adolph S. Ochs publisher of the New York Times, who died in 1935. Ochs was a lover of poetry who began his career as a newsboy in Tennessee. While we now can "Google" information about most anything, at that time the radio and newspaper were our main source of information for those that could afford them.

Felleman worked for the Times, in the Question and Answer section of the Book Review area. She had received more requests for information about Poems, than any other items that showed her which ones were the public's favorites. The Times was the "Google" for those times and requests were mailed in from all over the nation. As Edward Frank Allen states in the introduction this book was edited by the American People. His introduction is well enough written and interesting that it will merit you reading it.

In that wise let me quote a few sentences from the introduction. I think what he says in 1936 is still fitting for today's society. Allen stated: "Today poetry is an absolute necessity. The world needs it for it's vitalizing strength. Poetry has nearly everything that music can give-melody, rhythm, sentiment-but it has this advantage: it can come closer to the heart. It satisfies a hunger for beauty that is a part of nearly every normal person's make-up.

The book is organized quite well. Reading Poetry is a personal thing and we like different types or even individual poems in different categories. Therefore the book is divided into 12 sections based on the subject of the poems. From Love and Friendship to Various Themes. Humor, patriotism, poems that tell a story and more. The first poem is by Elizabeth Barrett Browning and the last by Robert Browning. You will find an index listed by Authors, First Lines, and Titles. The 670 pages are well set up for easy access to all content by all readers. It is a very good book for all people of a wide range of age.. It has Poems by many famous Poets and others less known. Felleman includes some poems by Unkown Poets, whose poems were well liked but the authorship was not known.

You will find, as Hazel Felleman relates, all the poems are not necessarily her favorites but they were included because they were the favorites of the American People. A few of my favorites are not in this book but many are there.

I "Googled" and found that it is still in print and is available both new and used at most Book Stores. I find prices from 25 cents to 17.00. Quite a bargain for the bookshelf and your pleasure.

Turn off the TV, toss the Newspaper, find your quiet nook and enjoy. I am sure you will enjoy it.

This is from a Lover of Poetry. Thank you for allowing me to share with you a good book.

Alex Kamas was retired after over 30 years as a Real Estate Broker Married to Carol for 55 years they have four grown Children and eleven Grandchildren. He lives with his wife Carol in Parker, Colorado.



วันอาทิตย์ที่ 17 มิถุนายน พ.ศ. 2555

An Inspiring Book Regarding Living, Laughing and Good Medicine

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AppId is over the quota

"Live, Love, Laugh A Lot: It's Good Medicine for the Soul," is an excellent poetry book by Jacquelyn Sturge, who is a wonderful author of several books. This one is very spiritually uplifting and inspiring. It starts with a poem entitled "The Call," regarding her sister in the hospital, and ends with a poem entitled, "Thank You Lord," where she is giving thanks for each and every day.

Sturge is the reigning "Queen of Limerick Poetry" based on her style of writing limerick poems, using them in story lines, and at times just for fun and humor. She has certainly blessed us this time with her poetic talent in this book, "Live, Love, Laugh A Lot: It's Good Medicine for the Soul." She uses the limerick poetic writing style in her series known as, "Pastor Sly Foxx." This series is very humorous yet serious in the same breath, which is like an oxymoron. It also exposes some of the unbiblical things taking place in some churches today.

The moral impressions from this series regarding "Pastor Sly Foxx" are as follows: 1) There is always a chance for repentance; 2) Abusing one's spouse is not helpful, especially when serving as a minister of a church; and 3) The stuff hiding in secret will eventually comes to light, usually when one is in a high profile position, or a fish bowl, as an example. Pastor Sly Foxx was really a character and the story also reflects some aspects of reality regarding religion in a different form.

A variety of poetic forms and styles are used in this book such as: the nonet, double reverse nonet, acrostic, concrete poetry, limerick, quatrain, biblical verse, and others just to name a few.

One section of the book which is of particular interest is entitled, "Church Folks." This is also written in a series with several interesting parts. It's striking to note how church folks really gossip about each other. One could easily form a socio-diagram about the people in attendance at time, which boils down to human nature in any organizations-but church folks? This is just unimaginable!

This is really a very interesting poetry book to read. It's down to earth, dynamic, and very inspiring!

Joseph S. Spence, Sr. (aka "Epulaeryu Master"), authored "The Awakened One Poetics" (2009), published in seven languages, "A Trilogy of Poetry, Prose and Thoughts for the Mind, Body and Soul," and "Trilogy Moments for the Mind, Body and Soul." Joseph is a Goodwill Ambassador for Arkansas, and is a US Army veteran.

http://www.TheAwakenedOnePoetics.com/



วันจันทร์ที่ 4 มิถุนายน พ.ศ. 2555

The Protagonists in "A Doll's House" and "Top Girls"

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AppId is over the quota

Like Nora, Churchill's Marlene finds herself in a male-dominated world, but Marlene rejects the patriarchal assumptions of that world much earlier in her life than Nora does. Churchill provides a long foreground in scene I of the first act by presenting a group of women ranging from Joan, who posed as a man to become pope, to lady Nijo, who was a thirteenth- century Japanese courtesan.

These women discuss their varied troubled relationships with men in different times and cultures to reveal that all of them suffered injustices perpetrated by male assumptions, values, and actions. These women also demonstrate resilience and the ability to adapt to their circumstances so that they become the "top girls" of their time. Marlene's toast establishes the connection we are to make between her and these earlier women: "we've all come a long way. To our courage and the way we changed our lives and our extraordinary achievements."

Churchill, however, is less congratulatory than Marlene. for though the rest of the play explores many of the issues that self determined women must face in our times-economic exploration, job discrimination, upward mobility, and so on - Churchill makes clear that women can be ruthless and selfish in their efforts to climb to the top as men. when Ibsen has Nora close the door on her husband and children, we know that her decision is as painful as it is necessary, but when we learn of Marlene's abandonment of Angie and her cold assessment of her daughter as one of those who is "not going to make it", we are reminded more of Torvald's insensibility than of Nora's absolute need to become human.

Marlene is a tough-minded, enthusiastic supporter of the conservatism associated with Thatcher and Reagan because she believes that they too have no tolerance for the "stupid or lazy or frightened". Her personal life and political values reveal that she pledges her allegiance only to the survival of the fitter. Rather than rejecting the rapaciousness and exploitation of the male world she's worked her way into she simply want to make sure that she's in a position of power. As her sister Joyce points out, Marlene thinks of nothing but herself, and as Angie inadvertently sums up in the final lines, Marlene is "frightened".

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